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Suguru Goto is a Japanese composer/performer, an inventor and a media artist. He is connected to technical experimentation in the artistic field and to the extension of the existing potentialities in the relation man-machine. In his works the new technologies such as Projection mapping, kinect, motion capture and robotics, mix up in interactive installations and experimental performances; he is the one who invented the so called virtual music instruments, able to create an interface for the communication between human movements and the computer, where sound and video image are controlled by virtual music instruments in real-time through computers. He was also a researcher and invited composer at IRCAM. He is currently assistant professor at Bordeaux Art University.

Biography

He was born in Japan. After he studied composition and piano in Japan, he moved to the United States to continue his studies at New England Conservatory in Boston. He preceded his post-graduate studies at Technical University Berlin and HDK in Berlin, Germany. Under Dieter Schnebel, professor of experimental music, Suguru Goto started his practices in mixing various representations : sound, dance and image. After having pursued his research in IRCAM and Paris University in France, he has been in Paris more than for 20 years. In 2009, Suguru Goto were invited to Venice Biennale and His work "RoboticMusic" was played there. In 2016, his first book “Emprise” is published in Tokyo. Suguru Goto explain the history and development of computer and electronic music in tracing / pursuing movements since Romantic music. At the same year, his CD “CsO” was published from Athor Harmonics, in Tokyo. To celebrate these publications, Suguru Goto cooperated with three artists; Antoine Schmitt, Lucio Arese and Patrick Defasten to the performance, using sounds of "CsO". This performance was played in March 2016 in Tokyo. He studied composition with Lukas Foss and Earl Brown in U.S.A, and with Robert Cogan at New England Conservatory and Dieter Schnebel in Berlin, Tristan Murail and Philippe Manour at IRCAM, Paris.

Selected works

  • SuperPolm：This is Virtual Musical Instrument. Instead of string, it comes with sensors and eight-button keyboard which can change the sound and the pitch. 
  • RoboticMusic : This performance involves 5 robots musicians. These robots are able to exceed the physical limits of humain being, e.g. being able to play at a first tempo that can not be marched as well as being  able to playing very complex pieces. 
  • CsO：CsO means "One composes a body without organs" and is related to the project "artificial body and real body". It's a visual and sound montage which includes the textes of Mille Plateaux of Deleuze and Guattari and the radio piece of Antonin Artaud : Pour en finir avec le jugement de Dieu.The video image shows real and 3D virtual bodies but the body of the performer is present and can transform its images in real time.
  • Augmented Body and Virtual Body：The performance involves robots which play musical instruments, in this the danser will where the robotic suit which will control the robots music performance though the dances mouvements.
  • netBody : This performance is realized linking the real world to the online reality of Second Life. The movements of a danser in the real world control an avatar in Second Life, while an avatar’s movements guide a danser’s.
  • L'homme transcende
  • Cymatics
  • Duali：Using the controllers of gestures, Wifi and programming which make sounds in real time, this performance is made up of images, dance and music. This is also based upon the concepts of Dualism like man – machine or Asia and Europe.
  • Hypnoid
  • Duali Ver.2

Selected awards

  • Prix Ars Electronica 2013 Digital Musics & Sound Art Honorary Mention (2013)
  • THE 2013 KAO INTERNATIONAL KINETIC ART COMPETITION AWARDS, the 2nd prize (Florida, 2013)
  • Action Sharing 2 (Italy, 2011)
  • Electronic Sonority Honor Award Prize, FILE PRIX LUX, (Brazil, 2010)
  • DIRECAM, French Cultural Minister (Paris, 2010)
  • OFQJ-dance and new technology prize at Bains Numérique #4, International Festival of digital art of Enghein-Les-Bains (France 2009)
  • Music Theater Award 2008 (BERLIN, 2008)
  • DIRECAM, French Cultural Minister (Paris, 2008)
  • DIRECAM, French Cultural Minister (Paris, 2002)
  • Berliner Kompositionaufträge, Cultural Minister (BERLIN, 1993)
  • The first prize at the Marzena (Seattle, 1990)
  • Boston Symphony Orchestra Fellowship (Boston, 1989)
  • Koussevitzky Prize, Tanglewood Music Festival (USA, 1989)

References

Works' Sources

External links

Official Site of Suguru Goto

  1. "Suguro Goto". la Biennale di Venezia ©2016. Retrieved 2016-08-22.
  2. 後藤, 英 (2016-03-15). Emprise(エンプリズ) 〜現代音楽の系譜から、コンピューター・ミュージック、エレクトロニック・ミュージック、ニュー・メディア・アート、新たなパフォーマンスへの進化 (B5版 ed.). 国分寺: スタイルノート. ISBN 9784799801482.
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