Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the American vocal quartetFour Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
It was the number one song on the Rhythm & Blues chart for two weeks and on the Billboard Hot 100 for two weeks, in October 15–22, 1966. The track also reached number one on the UK Singles Chart, becoming Motown's second UK chart-topper after the Supremes' 1964 release "Baby Love". It reached number one on October 27, 1966, and stayed there for three weeks.
In 1966, Holland, Dozier and Holland were writing new songs for the Four Tops to record for an album. Lamont Dozier said that he wanted to write "a journey of emotions with sustained tension, like a bolero. To get this across, I alternated the keys, from a minor, Russian feel in the verse to a major, gospel feel in the chorus." He developed the lyrics with Eddie Holland, aiming for them to sound "as though they were being thrown down vocally." Dozier said that they were strongly influenced by Bob Dylan at the time, commenting: "We wanted Levi to shout-sing the lyrics... as a shout-out to Dylan."
For the recording, the writers and producers intentionally put Levi Stubbs at the top of his vocal range, according to Abdul Fakir of the Four Tops, "to make sure he'd have that cry and hunger and wailing in his voice." Arranger Paul Riser overdubbed instruments including a piccolo and flute in the intro, and a drum pattern made by using timpani mallets on a tambourine head. After the recording was completed and on hearing the final version, the group begged Berry Gordy not to release it; according to Fakir, "for us, the song felt a little odd." However, Gordy insisted that it be issued as a single.
Style
Lead singer Levi Stubbs delivers many of the lines in the song in a tone that some suggest straddles the line between singing and shouting, as he did in the 1965 hit, "I Can't Help Myself (Sugar Pie Honey Bunch)". AllMusic critic Ed Hogan praises Stubbs' vocal as well as the song's "rock-solid groove" and "dramatic, semi-operatic tension and release." Critic Martin Charles Strong calls the song "a soul symphony of epic proportions that remains signature tune."
Eddie realized that when Levi hit the top of his vocal range, it sounded like someone hurting, so he made him sing right up there. Levi complained, but we knew he loved it. Every time they thought he was at the top, he would reach a little further until you could hear the tears in his voice. The line "Just look over your shoulder" was something he threw in spontaneously. Levi was creative like that; he could always add something from the heart.
Reception
Cash Box said that it is "a hard-driving, pulsating pop-r&b romancer about a very-much-in-love guy who claims that he'll always be at his gal's beck-and-call."
Charts
Weekly charts
1966–1967 weekly chart performance for "Reach Out I'll Be There"
American singer Diana Ross covered "Reach Out, I'll Be There" in 1971. Her version was released by Motown from her third album, Surrender (1971). It was produced by Ashford & Simpson, and reached number 29 on the US Billboard Hot 100 and number 35 in Canada.
"Reach Out, I'll Be There" was covered by American singer Gloria Gaynor in 1975. It was the third of three singles released by MGM from her debut album, Never Can Say Goodbye (1975). Gaynor's version became an international hit. It peaked at number 60 in the US and number 16 in Canada. In Europe, it reached number 14 in the UK and number five in West Germany.
^ Hughes, Keith (2018). "Reach Out I'll Be There". Don't Forget the Motor City. Ritchie Hardin. Archived from the original on September 16, 2024. Retrieved September 24, 2024.
^ Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 105. ISBN0-85112-250-7.