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The Rolling Stone review noted that the Roches were "not just entertaining but downright terrifying." The New York Times wrote that "Maggie Roche in particular continues to write songs with droll, offbeat imagery and explicitly personal points of view." The Globe and Mail praised "the anti-star sincerity in their voices and the fragile nature of their stacked vocals, which threaten to fall out of tune at the slightest provocation, but never do."
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