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Lawrence University Conservatory of Music

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Private school in Appleton, Wisconsin, United States
Lawrence University Conservatory of Music
Location
Appleton, Wisconsin
United States
Information
TypePrivate
Established1874
DeanBrian Pertl
Faculty65
Enrollment350
MascotZeek the Conservatory Dog
AffiliationsLawrence University
Practice Rooms80
Concert Halls/Recital Halls/Main Stages4
Websitewww.lawrence.edu/conservatory

The Lawrence University Conservatory of Music, a constituent member of Lawrence University in Appleton, Wisconsin, offers undergraduate degrees in music, music performance, education, theory, and composition. Founded in 1874, it is one of the oldest operating conservatories in the United States. The conservatory is known for a five-year dual degree program which allows students to graduate with both a music degree and a degree in another academic discipline. Through the Performing Arts Series, the Lawrence Community Music School and other programs, the conservatory extends access to music to the surrounding community.

History

Music instruction has been offered at Lawrence since the university was founded. In 1849, the first year classes were held, Miss Emeline M. Crooker, the preceptress, gave lessons on her own piano. She also taught drawing and painting, which were listed in the first catalog, along with music, as "ornamental branches" of study. When Crooker left in 1853, taking her piano with her, the school's trustees decided to hire a new piano teacher and purchase a new piano, which was a major investment for the fledgling school. This was the beginning of the music preparatory program.

When Main Hall, which housed almost all school functions, was completed, Mrs. Francena Medora Kellogg Buck, class of 1857, remembered:

The first public exercise held in the then "new building" was at the close of the June term in 1854. How it rained! The piano had to be taken from the old building to the new and professional piano movers had not then been invented. The deed was accomplished with no perceptible injury to the instrument, on which I played "Spirit Waltz."

Recalling the post-Civil War era, J. S. Anderson, class of 1870, wrote:

The musical department of the college was decidedly primitive. In 1865 it consisted of a single piano of ancient vintage in the ladies building, on which the professor or "professorin" gave lessons of a very primary character to pupils who practiced where and when they could. There were some instrumentalists in our number and an impromptu orchestra was formed. It appeared at the public functions of the college on several occasions and was much appreciated. People were not quite so critical in those days. The period was marked not only by reconstruction but by progress. The musical department was built up and extended.

By 1870 there were twenty-four full-course music students. At the instigation of President George McKendree Steele, a collegiate-level music program was instituted in 1874 and a director named, marking the founding of the conservatory as it exists today. By 1877, however, the conservatory had lost its independence; the diploma in music was discontinued and the department was placed under the president's control.

The music program made do with one or two instructors until 1894, when President Samuel G. Plantz re-established the conservatory as an independent department, re-instated the position of director and increased the faculty to five; one of the new hires was responsible for teaching banjo and mandolin. A one-year course of teacher training in public school methods was added in 1901. By 1902 enrollment had risen to 170. Piano tuning was added to the curriculum in 1916.

In the early years of the twentieth century, musical groups on campus included the Choral Union, Chapel Choir, Boys' Glee Club and Girls' Glee Club, the College Band and the College Orchestra, and the Men's and Women's Quartettes.

Many groups traveled to perform around the state and further afield. As early as 1886, the glee club was touring towns in northern and western Wisconsin. In 1915 Professor Carl Waterman and three students, known as the Lyric Quartette, along with a fourth student as manager, made a three-month automobile tour to California, giving concerts along the way and performing at the Panama-Pacific International Exposition in San Francisco. Touring not only gave students performance experience but generated good publicity for the school. During the 1907-1908 academic year, the entire conservatory faculty gave out-of­-town concerts as a means of promoting the conservatory and the college.

By the 1940s, the conservatory was an important part of the university, but there was occasional ambivalence about its mission. In 1947 the Post-Crescent reported:

Shortly before 1930 the funds for a new conservatory of music were made available by a private foundation, but were lost during the stock market crash. President Pusey has stated that the art building and the remodeling of science hall are the "most urgent current" needs, and must precede any conservatory building. President Pusey has also said that the college will not attempt to increase the enrollment of full time conservatory students any further. Rather, he explained, any musical expansion will be in the direction of encouraging the role of music in the liberal arts program as a leisure pursuit and as an accredited course to be applied toward the bachelor of arts degree.

For much of its existence, and particularly since its re-establishment in 1894, the conservatory had been mostly independent of the university. It had its own budget, hired its faculty, recruited and registered its students and housed them in conservatory dormitories. Because these administrative functions had been gradually absorbed by the university, the office of Dean of the Conservatory was abolished in 1949. LaVahn Maesch, professor of organ and music literature, was appointed head of the Committee on Academic Policy, overseeing the only remaining administrative responsibility—setting the conservatory curriculum. Maesch was named director in 1954 and became dean when the office was restored in 1965.

Campus

Conservatory of Music, 1910
Peabody Hall, 1911

After Main Hall opened in 1853, music lessons, along with all other classes, were held there. There were complaints about the noise of the piano. The first building dedicated to conservatory use was a wood-frame house purchased in 1906 for $8000. After remodeling, the building contained studios, offices, and practice rooms. Later it became, along with a second house, an annex to the new Peabody Hall, named for donor George F. Peabody, built in 1909 on E. Lawrence Street. Along with classrooms, practice rooms and an office for the dean, the building included a 400-seat recital hall.

Memorial Chapel, dedicated in 1919, is the largest performance space on campus. It houses a 49-rank mechanical-action organ built in 1995 by John Brombaugh of Eugene, Oregon, one of four organs owned by the school.

A new Music-Drama Center opened in 1959, providing classrooms, practice rooms, a library and two performance spaces, the 445-seat Stansbury Theater and Harper Hall, seating 249. Peabody Hall and its annexes were demolished.

A major expansion of the physical plant was completed in 1991. As described in the Post-Crescent:

The Ruth Harwood Shattuck Hall of Music connects the Music-Drama Center and Memorial Chapel to create a comprehensive music facility. The newest addition provides faculty studios, practice rooms, classrooms, percussion studios, a jazz rehearsal room, two large-ensemble rooms, a digital recording/editing studio, and student lounge and study areas.

Academics

The conservatory offers four degree programs: Bachelor of Arts, Bachelor of Music, a combined BA/BMus (a five-year program granting two degrees), and Bachelor of Musical Arts. The BMA program, added in 2019, combines music and liberal arts studies, with a concentration on jazz and improvisational music. Many students matriculate at Lawrence specifically because they want to pursue both music and a non-musical discipline; over fifty percent of incoming conservatory students are in the dual-degree program.

Majors are offered in composition, music, music education, music performance, and music theory. In 2023, a minor in dance was added. Other conservatory programs include jazz and improvisational music, musicology, and opera theater. Instruction is available for string instruments, guitar, harp, wind and brass instruments, percussion, piano, organ and voice.

Although the conservatory does not offer a major in jazz, it does offer a BM in Performance or Composition with a Jazz Emphasis. The Lawrence Jazz Department has won over 25 DownBeat awards since 1985, including Best Large Jazz Ensemble in the undergraduate category.

The conservatory offers opportunities to participate in a variety of ensembles, which are open to all students, whether they are majoring in music or not. There are two bands, two orchestras, four choirs, and three jazz groups. In addition, there are a number of specialized groups, including the Balinese Gamelan, Improvisation Group (IGLU), Mariachi Ensemble (LUMÉ), New Music Ensemble, Opera Theatre, and the Percussion Ensemble (LUPÉ).

Community engagement

John Philip Sousa concert Nov 07 1924, ad in The Post-Crescent, Appleton WI

The conservatory presents approximately forty ensemble performances per year, along with many recitals by students and faculty. All events are open to the public, most free of charge.

In 1908, a performing arts series, which brings national and international artists to campus, was organized by Dean William Harper. The inaugural concert featured David Bispham, a well-known operatic baritone. The series went on to book, among many others, Pablo Casals, Marian Anderson, the Trapp Family Singers, Joshua Bell, and Yo-Yo Ma. In recent years, performers have included the Imani Winds, Jazz at Lincoln Center Orchestra with Wynton Marsalis and Roomful of Teeth. The Jazz Series was added to the Performing Arts Series in 1992.

The Lawrence Community Music School (LCMS), the current incarnation of the preparatory program which began in 1874, offers educational opportunities and performance experiences for the surrounding community.

LCMS, which serves approximately 900 students of all ages, presents more than forty concerts every year. In addition to individual and ensemble instruction, classes are offered in music theory, chamber music, and early childhood education.

Leadership

Directors
  • 1874–1876 T. Martin Towne
  • 1877–1893
  • 1894–1906 John Silvester (Professor of vocal and instrumental music 1885–1906, named Director in 1894)
  • 1906–1907 T. Dillwyn Thomas
  • 1907-1908 Dudley L. Smith
Deans
  • 1908–1913 William E. Harper (voice faculty 1907, appointed director in 1908, Dean in 1909)
  • 1913–1920 Frederick Vance Evans (Professor of voice)
  • 1920–1949 Carl J. "Judge" Waterman (Diploma of Music 1905, faculty member 1910–1953)
  • 1950 - Office of Dean abolished by President Pusey.
  • 1954–1970 LaVahn K. "Blondie" Maesch (Class of 1926, faculty member 1926–1970, Professor of organ, appointed director in 1954, became dean in 1965)
  • 1970–1971 Ralph Lane, with associate deans James Ming and Clyde Duncan
  • 1972–1978 Charles F. Schwartz
  • 1979-1988 Colin Murdoch
  • 1988–1989 Nancy Marsh Stowe (Class of 1961, voice faculty, acting Dean of the Conservatory)
  • 1989–1999 Richard K. Dodson
  • 1999-2004 Kathleen Murray (piano faculty, Dean of the Faculty and Conservatory)
  • 2005-2008 Robert Thayer
  • 2008–present Brian Pertl (Class of 1986)

Noted alumni

Notes

  1. Some historians, including Stephen Ellis Busch, date the founding to 1894, when the music program became an independent department and the first Director since 1876 was named.
  2. These were preparatory classes; collegiate-level instruction did not begin until 1853.
  3. Tour manager George Reynolds estimated that they gave sixty to seventy concerts en route. He wrote: "The quartette sang last night to about 3,000 people in the big Chautauqua auditorium at Boulder, and the audience seemed to be able to stand the strain with ease. In fact they acted as if they liked it. The Chautauqua is one of the largest in the west and as many have told us that they liked the concert better than anything ever given in the auditorium, we must have got away with the goods. But, then—some people may have warped judgments."
  4. George Frederick Peabody (1835–1909), one of the most prominent men in Appleton, owned the Pettibone-Peabody dry goods business. He donated $12,000 for the construction of a new conservatory building. His daughter Emma married William E. Harper, the dean of the conservatory. Peabody disliked Harper and made sure he would not benefit from his will. When the initial donation proved insufficient, Emma increased it to $18,000.

References

  1. Uscher 1988, p. 348.
  2. Peterkin, Caitlin (March 30, 2016). "Dual Degrees, Double Majors, and Music Minors". MajoringinMusic.com. Retrieved January 14, 2025.
  3. Busch 1960, p. 4
  4. ^ The Post-Crescent 1947a.
  5. "Emeline Crooker" (image). Lawrence University Archives. 1849.
  6. The Post-Crescent 1974b, p. 7, View Magazine.
  7. Alumni Record 1916, p. 58.
  8. Alumni Record 1916, p. 66.
  9. Peot & Mead 1988, p. 7.
  10. Busch 1960, p. 28.
  11. "Glee Club". The Appleton Crescent. Appleton, Wisconsin. April 3, 1886.
  12. "To Sing Their Way to the Frisco Expo". Appleton Evening Crescent. Appleton, Wisconsin. May 27, 1915.
  13. "Coast Singers Get Over Onto Mexican Soil". Appleton Evening Crescent. Appleton, Wisconsin. August 19, 1915.
  14. "Three Thousand Hear Lawrence Lyric Quartette". Appleton Evening Crescent. Appleton, Wisconsin. July 17, 1915.
  15. Busch 1960, p. 83.
  16. The Post-Crescent 1947b.
  17. ^ Trustees Vote Changes 1949.
  18. "Pianos and other problem solving". The Post-Crescent. Appleton, Wisconsin. November 10, 1974.
  19. "May Buy the Adkins Home". The Appleton Post. Appleton, Wisconsin. May 10, 1906.
  20. Busch 1960, p. 73.
  21. "Conservatory About Finished". The Post Crescent. September 20, 1906.
  22. Evening Crescent 1909a.
  23. Post-Crescent 1995.
  24. Evening Crescent 1909b.
  25. "John Brombaugh & Associates: Opus 33, 1995". Pipe Organ Database. Retrieved January 9, 2025.
  26. "The Brombaugh Organ, Opus 33". Lawrence University.
  27. Lowe 1991.
  28. Peterkin 2016.
  29. "Lawrence jazz ensemble earns second straight DownBeat honor". The Post-Crescent. Appleton, Wisconsin. April 25, 2019.
  30. "Triumph for David Bispham". Appleton Evening Crescent. Appleton, Wisconsin. November 3, 1908.
  31. Artistic Appleton 1928.
  32. "Marian Anderson To Give Concert At Chapel Dec. 5". The Post-Crescent. Appleton, Wisconsin. November 11, 1941.
  33. "Trapp Family Singers to Open 1954–55 Lawrence Artists Series". The Post-Crescent. Appleton, Wisconsin. September 10, 1954.
  34. "LU Announces 1989–90 Artists Series". The Post-Crescent. Appleton, Wisconsin. August 3, 1989.
  35. Wideman 1997.
  36. "Lawrence Community Music School: About". Retrieved June 18, 2024.
  37. Kaiser, A.J. (December 9, 2024). "Harmonies of Connection: The heart of Lawrence Community Music School for 150 years". Retrieved January 14, 2025.
  38. ^ "Leadership in the right key". The Post-Crescent. Appleton, Wisconsin. November 10, 1974.
  39. Busch 1960, p. 31.
  40. "Prof. Thomas Is Going To Leave". The Appleton Weekly Post. Appleton, Wisconsin. July 18, 1907.
  41. "Dudley Smith Will Succeed T. D. Thomas". The Post-Crescent. Appleton, Wisconsin. August 12, 1907.
  42. Evening Crescent 1908.
  43. Busch 1960, p. 88.
  44. "Dean Evans to give a recital Tuesday". The Post-Crescent. Appleton, Wisconsin. October 4, 1913.
  45. ""Judge" at Lawrence Nearly Half Century". The Appleton Post-Crescent. Appleton, Wisconsin. June 6, 1947.
  46. "Dean named for LU conservatory". The Post-Crescent. Appleton, Wisconsin. August 1, 1972.
  47. "Murdoch named dean of LU music conservatory". The Post-Crescent. Appleton, Wisconsin. April 17, 1979.
  48. "Dodson new dean of conservatory at LU". The Post-Crescent. Appleton, Wisconsin. March 18, 1989.
  49. "Lawrence music dean gets the job for good". The Post-Crescent. Appleton, Wisconsin. January 17, 2001.
  50. "Music educator named dean of Lawrence University Conservatory of Music". The Post-Crescent. Appleton, Wisconsin. June 3, 2005.
  51. "LU hires music dean". The Post-Crescent. Appleton, Wisconsin. April 4, 2008.
  52. "World music, Microsoft and the Didjeridoo: LU's new Conservatory dean followed a different beat back to the academic world". The Post-Crescent. Appleton, Wisconsin. October 23, 2008.

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