Korg Mini Pops: Difference between revisions

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	'''Mini Pops''' was the name given to a number of early ] from the ] musical equipment company ] during the late 1960s<ref name='matrixsynth'>http://matrixsynth.blogspot.com/2011/04/korg-mini-pops-3-vintage-analog-drum.html</ref> and the 1970s.<ref name='estecho'>http://www.estecho.com/gear/Korg_Mini-Pops_120.php</ref> The machines were based around a number of preset rhythm patterns,<ref name='hollowsun'>http://www.hollowsun.com/donations/minipops/index.html</ref><ref name='synthexplorer'>http://www.vintagesynth.com/korg/mp35.php</ref> such as ], ] and ].		'''Mini Pops''' was the name given to a number of early ] from the Japanese musical equipment company ] during the late 1960s<ref name='matrixsynth'>http://matrixsynth.blogspot.com/2011/04/korg-mini-pops-3-vintage-analog-drum.html</ref> and the 1970s.<ref name='estecho'>http://www.estecho.com/gear/Korg_Mini-Pops_120.php</ref> The machines were based around a number of preset rhythm patterns,<ref name='hollowsun'>http://www.hollowsun.com/donations/minipops/index.html</ref><ref name='synthexplorer'>http://www.vintagesynth.com/korg/mp35.php</ref> such as ], ] and ].

	One notable use of a Mini Pops drum machine was by ~~] ]~~ ], in the final part of his breakthrough album, '']''. This rhythm was achieved by overlaying two of the presets in a manner not intended by the machine's original design.<ref name='hollowsun' />		One notable use of a Mini Pops drum machine was by French musician ], in the final part of his breakthrough album, '']''. This rhythm was achieved by overlaying two of the presets in a manner not intended by the machine's original design.<ref name='hollowsun' />

	==References==		==References==
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Revision as of 11:17, 16 November 2014

Mini Pops was the name given to a number of early drum machines from the Japanese musical equipment company Korg during the late 1960s and the 1970s. The machines were based around a number of preset rhythm patterns, such as waltz, samba and rhumba.

One notable use of a Mini Pops drum machine was by French musician Jean Michel Jarre, in the final part of his breakthrough album, Oxygene. This rhythm was achieved by overlaying two of the presets in a manner not intended by the machine's original design.

References

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