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==Popular culture== ==Popular culture==
* The lyrics to the 1977 ] song "Cinderella Man" on the '']'' album, are based on the story of ''Mr. Deeds Goes to Town''. * The lyrics to the 1977 ] song "Cinderella Man" on the '']'' album, are based on the story of ''Mr. Deeds Goes to Town''.

* The use of the satanic symbol "666" in movies like ] could have begun with "Mr. Deeds." Although never mentioned, "666" can be seen in the "doodles" of the court psychiatrist.


==References== ==References==

Revision as of 16:04, 16 February 2008

1936 film
Mr. Deeds Goes to Town
File:Mdgtt1936.jpg
Directed byFrank Capra
Written byClarence Budington Kelland (story)
Robert Riskin (screenplay)
Produced byFrank Capra
StarringGary Cooper
Jean Arthur
CinematographyJoseph Walker
Edited byGene Havlick
Distributed byColumbia
Release datesApril 16, 1936
Running time115 min.
Country United States
LanguageEnglish

Mr. Deeds Goes to Town is a 1936 comedy film, based on the story Opera Hat by Clarence Budington Kelland. The film was written by Kelland and Robert Riskin, and directed by Frank Capra. It starred Gary Cooper and Jean Arthur.

Plot

In the middle of the Great Depression, Longfellow Deeds (Gary Cooper), part-time greeting card poet and tuba-playing inhabitant of the hamlet of Mandrake Falls, Vermont, inherits the enormous fortune of 20 million dollars from his late uncle, Martin Semple. He is found and taken to New York City by his uncle's unctuous attorney, John Cedar (Douglass Dumbrille).

Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from the heir. He is outfoxed however by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from hunger in his presence and worms her way into his confidence. She proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, naming him the "Cinderella Man". Meanwhile, Cedar tries to get Deeds' power of attorney in order to hide his financial misdeeds.

Deeds, however, proves to be a shrewd observer of people, easily fending off greedy opportunists and Cedar as well. He wins Cobb's wholehearted respect and eventually Babe's love. Complications arise when Cobb finds out the reporter's true identity, leaving Deeds heartbroken.

Just as he is ready to return to Mandrake Falls in disgust, a dispossessed farmer breaks into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra rich man, who won't lift a finger to help the multitudes of desperate poor. The intruder then comes to his senses, but Deeds realizes what he can do with his troublesome fortune: he decides to provide fully equipped ten-acre farms free to thousands of homeless families if they will work the land for several years.

Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative and his grasping, domineering wife in seeking to have Deeds declared mentally incompetent. This, along with Babe's betrayal, finally breaks his spirit and he sinks into a deep depression.

During his sanity hearing, things look bleak for Deeds, especially since he initially refuses to defend himself. Cedar even gets Deeds's Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated." When Babe convinces Deeds that she truly loves him, he systematically punches holes in Cedar's case (before punching Cedar in the face) and the judge declares him to be "the sanest man who ever walked into this courtroom".

Production

Originally Frank Capra was going to make Lost Horizon after Broadway Bill (1934) but lead actor Ronald Colman couldn't get out of his other filming commitments, so production planning changed to adapting Mr. Deeds Goes to Town. The two main cast members, Gary Cooper as Longfellow Deeds and Jean Arthur as Louise "Babe" Bennett/Mary Dawson were cast as production began. Capra's first, last and only choice for the pivotal role of the eccentric Longfellow Deeds was Gary Cooper. Due to his other film commitments, production was delayed six months before Cooper was available, incurring costs of $100,000 for the delay in filming. Arthur was not the first choice for the role. Principal photography had already begun when Capra "discovered" his heroine in a rush screening.

Etymology of "pixilated"

The film popularized the word "pixilated", which in this case meant craziness, or Deed's seemingly illogical behavior in the film. The 1932 book, The American Notebooks by Nathaniel Hawthorne: Based Upon the Original Manuscripts in the Pierpont Morgan Library, edited by Randall Stewart, includes the entry:

  • "Pixilated"—a Marblehead word, meaning bewildered–wild–&c &c Probably derived from Pixy—a fairy.
  • In film technology, pixilation refers to stop-motion photography that creates the illusion of motion in inanimate objects, or unnatural motion in normally animate objects or beings. (This is not to be confused with pixelation or pixelisation, which is the effect of an image becoming blocky.)

Cast

Awards

Capra won the 1936 Academy Award for Directing, while Cooper received the first of his five nominations for Best Actor. The film was also nominated for Best Picture, Best Screenplay (Robert Riskin), and Best Sound Recording (John P. Livadary).

It was voted Best Picture of the Year (1936) by the New York Film Critics and the National Board of Review.

Adaptations, remake and non-sequel

A radio adaptation of the film was originally broadcast on February 1, 1937 on Lux Radio Theater. A short-lived TV series of the same name ran from 1969 to 1970, starring Monte Markham as Longfellow Deeds. It was also remade as Mr. Deeds in 2002, starring Adam Sandler and Winona Ryder.

A mistaken belief is that a sequel called Mr. Deeds Goes to Washington was written and eventually became Mr. Smith Goes to Washington. Although the latter has some similarities to Mr. Deeds Goes to Town, including starring Jean Arthur and being directed by Capra, its 1939 screenplay was actually based on an out-of-print novel, The Gentleman from Montana, and was an entirely separate project.

Popular culture

  • The lyrics to the 1977 Rush song "Cinderella Man" on the A Farewell to Kings album, are based on the story of Mr. Deeds Goes to Town.
  • The use of the satanic symbol "666" in movies like The Omen could have begun with "Mr. Deeds." Although never mentioned, "666" can be seen in the "doodles" of the court psychiatrist.

References

Notes

  1. ^ Capra 1971, p. 184.
  2. Capra 1971, p. 254.

Bibliography

  • Capra, Frank. Frank Capra, The Name Above the Title: An Autobiography. New York: The Macmillan Company, 1971. ISBN 0-30680-771-8.
  • Michael, Paul, ed. The Great Movie Book: A Comprehensive Illustrated Reference Guide to the Best-loved Films of the Sound Era. Englewood Cliffs, New Jersey: Prentice-Hall Inc., 1980. ISBN 0-13-363663-1.

External links


Frank Capra
Films directed
Why We Fight series
Other works
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