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Revision as of 15:30, 1 August 2015 editCapuchinpilates (talk | contribs)256 edits →Plot: After discussion in talk, reverting back to previous edit, plus minor changes and without references to aliens.← Previous edit Revision as of 20:23, 1 August 2015 edit undoPopcornfud (talk | contribs)Extended confirmed users, IP block exemptions, Rollbackers72,026 edits Undid revision 674088455 by Capuchinpilates (talk) sorry, but the consensus is against you. this is overwritten and yes, "completes her masquerade" is classic purple prose.Next edit →
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==Plot== ==Plot==
In Glasgow, Scotland, a motorcyclist retrieves a young woman's body from the side of a road and places her in the back of a van. A naked woman strips her and dons her clothes, then goes to a mall and buys clothes and make-up. The woman drives the van around Scotland, picking up men on the street. In her apartment, the men follow her into a black void and are submerged in an abyss of liquid.
A woman arrives in Glasgow, Scotland, where a limp lady is brought to the her by a motorcyclist who never speaks. The two females appear identical, and the limp one sheds tear as the woman appropriates her clothing, and then completes her masquerade by shopping for clothes and makeup.


At a beach, the woman attempts to pick up a swimmer. He tries to save a drowning couple, but almost drowns himself. The woman strikes the swimmer's head with a rock, drags him to the van, and drives away. The motorcyclist retrieves the swimmer's belongings and ignores the couple's distraught toddler.
The woman impassively drives a van slowly through the streets, attempting to pick up lone men who have few connections to society. When successful, she brings the men into a small building that leads to a cavernous, black void. She lures them by shedding her clothing, they follow her as if in a trance, and slowly submerge into a liquidy depth. Still semi-alive, their bodies bloat and eventually implode, the insides going down a kind of fiery trough, leaving behind only the skin.


The woman visits a nightclub and picks up another man. He follows her into the void and is submerged in the liquid. Suspended beneath the surface, he sees the swimmer floating beside him. When he reaches to touch him, the swimmer's body collapses, leaving empty skin behind.
However, the woman begins to have a series of increasingly unsettling experiences that leave her confused, curious and afraid. After attempting to pick up a man at a beach, she watches him run off to risk his life trying to save two others from drowning. Later she falls down while walking on the sidewalk, and a number of concerned strangers help her up. Driving around she observes the daily life of regular people. Then, after leading a lonely, romantically inexperienced man into the liquidy void, she is disquieted by studying her face in a mirror, and then noticing a fly trapped against a window.


The woman seduces a lonely, sexually inexperienced man with a facial disfigurement, but after studying herself in a mirror lets him escape and drives to the ]. The motorcyclist intercepts the man and bundles him into a car, then sets out in pursuit of the woman with three other motorcyclists.
The women absconds to the Scottish Highlands, while the lonely man, no longer trapped, attempts to escape down a hillside. Three motorcyclists confer in silence, each then zooming off in separate directions in search of the women. Beginning to now show emotion not just in the service of seduction, the woman mostly unsuccessfully tries human-like activities, such as food, television, social interaction in a man that brings her back to his home, and intercourse. Later, the woman wanders a forest trail alone where a logger attempts to rape her. Terrified, she is no longer the hunter but the hunted. In the struggle the logger tears a strip of skin from her back, revealing a jet black body underneath, and the logger bolts. Victimized and kneeling in the dirt, it begins to extricate itself from its human shell, and gazes upon the human face it now holds in its hands, as the logger returns and incinerates it.

The woman abandons the van in the fog. She walks to a restaurant and attempts to eat cake, but retches and spits it out. At a bus stop, she meets a man who offers to help her. He brings her to his home; they eat, watch television and listen to music. Alone in her room, she examines her body in a mirror. She visits a ruined castle with the man and they kiss. At his house, they begin to have sex, but she stops and examines her vagina, alarmed.

The woman wanders in a forest and takes shelter in a ]. She is woken by a commercial logger molesting her. After she runs into the forest, he catches her and attempts to rape her. In the struggle, he tears skin from her back, revealing a black, featureless body. As the woman extricates herself from her artificial skin, the logger douses her in fuel and burns her alive.


==Cast== ==Cast==

Revision as of 20:23, 1 August 2015

2013 film
Under the Skin
Theatrical release poster
Directed byJonathan Glazer
Screenplay by
  • Walter Campbell
  • Jonathan Glazer
Produced by
StarringScarlett Johansson
CinematographyDaniel Landin
Edited byPaul Watts
Music byMica Levi
Production
companies
Distributed by
Release dates
  • 29 August 2013 (2013-08-29) (Telluride)
  • 14 March 2014 (2014-03-14) (UK)
  • 4 April 2014 (2014-04-04) (US)
Running time108 minutes
Countries
  • United Kingdom
  • United States
  • Switzerland
LanguageEnglish
Budget£8 million
($13.3 million)
Box office$5.7 million

Under the Skin is a 2013 science fiction-horror art film directed by Jonathan Glazer, and written by Glazer and Walter Campbell as a loose adaptation of Michel Faber's 2000 novel of the same name. It was released in the UK on 14 March 2014 and the US on 4 April. The film stars Scarlett Johansson as an otherworldly seductress who preys on men in Scotland. The music was composed by Mica Levi.

Glazer developed Under the Skin for more than a decade, eventually settling on a film that takes an alien perspective of the human world. Most of the characters were played by non-actors, including road racer Jeremy McWilliams; many scenes were unscripted conversations filmed with hidden cameras on the street. It competed for the Golden Lion at the 70th Venice International Film Festival.

Despite failing to recoup its $13.3 million budget, Under the Skin received praise from critics, particularly for Johansson's performance, Glazer's direction, and Levi's score. It was named one of the best films of 2014 by many critics and received multiple accolades.

Plot

In Glasgow, Scotland, a motorcyclist retrieves a young woman's body from the side of a road and places her in the back of a van. A naked woman strips her and dons her clothes, then goes to a mall and buys clothes and make-up. The woman drives the van around Scotland, picking up men on the street. In her apartment, the men follow her into a black void and are submerged in an abyss of liquid.

At a beach, the woman attempts to pick up a swimmer. He tries to save a drowning couple, but almost drowns himself. The woman strikes the swimmer's head with a rock, drags him to the van, and drives away. The motorcyclist retrieves the swimmer's belongings and ignores the couple's distraught toddler.

The woman visits a nightclub and picks up another man. He follows her into the void and is submerged in the liquid. Suspended beneath the surface, he sees the swimmer floating beside him. When he reaches to touch him, the swimmer's body collapses, leaving empty skin behind.

The woman seduces a lonely, sexually inexperienced man with a facial disfigurement, but after studying herself in a mirror lets him escape and drives to the Scottish Highlands. The motorcyclist intercepts the man and bundles him into a car, then sets out in pursuit of the woman with three other motorcyclists.

The woman abandons the van in the fog. She walks to a restaurant and attempts to eat cake, but retches and spits it out. At a bus stop, she meets a man who offers to help her. He brings her to his home; they eat, watch television and listen to music. Alone in her room, she examines her body in a mirror. She visits a ruined castle with the man and they kiss. At his house, they begin to have sex, but she stops and examines her vagina, alarmed.

The woman wanders in a forest and takes shelter in a bothy. She is woken by a commercial logger molesting her. After she runs into the forest, he catches her and attempts to rape her. In the struggle, he tears skin from her back, revealing a black, featureless body. As the woman extricates herself from her artificial skin, the logger douses her in fuel and burns her alive.

Cast

Production

Parts of Under the Skin were shot at Tantallon Castle in East Lothian, Scotland.

Director Jonathan Glazer decided to adapt Michel Faber's novel Under the Skin (2000) after finishing his debut film Sexy Beast (2000), but work did not begin until he had finished his second film, Birth (2004). He and cowriter Walter Campbell initially produced a script about two aliens disguised as farmers, with Brad Pitt cast as the husband, but progress was slow. Glazer eventually decided to make a film that represented an alien perspective of the human world and focused only on the female character. In 2015, Gemma Arterton stated that she had been Glazer's choice for the lead but the film had needed a bigger star to get funding.

Most characters were played by non-actors; many scenes where Johansson's character picks up men were unscripted conversations with men on the street filmed with hidden cameras. Glazer said the men were "talked through what extremes they would have to go to if they agreed to take part in the film once they understood what we were doing." Championship motorcycle road racer Jeremy McWilliams was cast as the motorcyclist, as the film required a "world-class" motorcyclist who could ride through the Scottish Highlands at high speeds in bad weather. The logger was played by the owner of a location researched for the film. For the disfigured man, Glazer did not want to use prosthetics; to cast the role, the production team contacted the charity Changing Faces, which supports people with facial disfigurements. The role went to Adam Pearson, who has neurofibromatosis and had worked in television production. Pearson's suggestions about how Johansson's character could lure his character were used in the script.

Soundtrack

Mica Levi performing with Micachu and the Shapes in 2009.

Under the Skin's soundtrack was composed by Mica Levi and produced by Peter Raeburn. Raeburn suggested Levi to Glazer, who contacted her after hearing Chopped and Screwed, her collaboration with the London Sinfonietta. Glazer wanted the music to express the protagonist's feelings as she experienced things like food and sex for the first time, and directed Levi with questions such as "What does it sound like to be on fire?" or "Imagine when you tell somebody a joke and it’s not very good and their reaction’s a bit stilted." Later scenes use less music, to emphasise the sounds of the natural world that Johansson's character experiences.

Levi used mainly a viola to write and record over ten months, taking inspiration from Giacinto Scelsi, Iannis Xenakis, John Cage and music played in strip clubs. She looked for the natural and "identifiably human" sounds in the instrument, then altered the pitch or tempo of her recordings to "make it feel uncomfortable." In an article for Tte Guardian, Levi wrote: "Some parts are intended to be quite difficult. If your lifeforce is being distilled by an alien, it's not necessarily going to sound very nice. It's supposed to be physical, alarming, hot." According to Pitchfork, "the strings sometimes resemble nails going down a universe-sized chalkboard, screaming with a Ligeti-like sense of horror; elsewhere, they endlessly drone in a gaping vortex, like Vangelis' iconic Blade Runner score dipped in turpentine." The Guardian wrote that Levi's "score brings together strings, percussion, distortions in speed and clashing microphones to create sounds that are seductive, perverted and compassionate." Levi won a European Film Award for best composer for her work.

Release

Under the Skin premiered on 29 August 2013 at the Telluride Film Festival. It was screened at the 70th Venice International Film Festival and the 2013 Toronto International Film Festival. It was released in the United Kingdom on 14 March 2014 and the United States on 4 April 2014.

Box office

In the United Kingdom, Under the Skin opened with a gross of £239,000; in the United States, it opened with $140,000 in four theatres, earning it the highest per-theatre average of all films playing that weekend, above Captain America: The Winter Soldier, which also stars Johansson. Under the Skin made $2,614,251 in the United States, failing to make the list of top-grossing films in the United States speciality box office.

Under the Skin was a box office failure. According to the Guardian, its $13.3 million budget was in "the danger zone: not in the ultra-low bracket that can make a sharply executed future vision ultra-profitable ... the $30m-plus range where marketing begins to snag mass audiences."

Critical reception

Under the Skin received positive reviews and was named one of the best films of 2014 by many critics. The review aggregation website Rotten Tomatoes gives the film a score of 85% based on reviews from 207 critics, with a rating average of 7.8/10. The site's consensus states: "Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience." The review aggregator Metacritic, which assigns a rating out of 100 top reviews from mainstream critics, calculated a score of 78 out of 100 based on 42 reviews, indicating "generally favorable reviews". Metacritic also listed the film as the fourth best of 2014 based on its appearance in critics' top-ten lists.

Xan Brooks of the Guardian gave Under the Skin five out of five and called it "far and away the best picture" in the Venice Film Festival. Peter Bradshaw, also of the Guardian, said the film was "visually stunning and deeply disturbing" and awarded it five out of five. Andrew Lowry of Total Film, Dave Calhoun of Time Out and Kate Muir of The Times each gave the film five out of five. Robbie Collin of The Daily Telegraph also gave it five, and wrote: "if my legs hadn't been so wobbly and my mouth so dry, I would have climbed up on my seat and cheered." Matt Zoller Seitz gave the film four out of four, describing it as "hideously beautiful. Its life force is overwhelming." Richard Roeper gave the film an A+ and four out of four, stating: "This is what we talk about when we talk about film as art." Christy Lemire gave it four out of four, calling it an "undeniably haunting, singular experience" and one of the best films of 2014. Jon Espino of the Young Folks gave it nine out of ten and called it "easily one of the most visually haunting films of 2014."

Todd McCarthy of The Hollywood Reporter said that "the film provides too little for even relatively adventurous specialized audiences to latch onto." Kaleem Aftab of The Independent gave it one out of five, calling it "laughably bad." Henry Fitzherbert of The Daily Express awarded it two out of five and wrote: "it didn't get under my skin, just on my nerves".

Top ten lists

Under the Skin was chosen by 20 critics and publications as the best film of 2014 from a total of 122 top-ten lists.

In 2015, the film was included in The Guardian's top 50 films of the decade so far.

Accolades

Main article: List of accolades received by Under the Skin (2013 film)
This section needs expansion. You can help by adding to it. (May 2015)

Themes and analysis

Writing for the Milwaukee Journal Sentinel, Duane Dudek speculated that Johansson's character assumes a human identity to collect information about humans as an alien intelligent might, inducing an identity crisis causing her to "spin out of control like a broken machine." He wrote that the motorcyclist can be interpreted as a companion, enabler, or pursuer, and that the "tar-dark world" where the woman submerges her victims may be a nest, a web, another planet or dimension, or a visual representation of how sex feels to her or them.

In the Guardian, Leo Robson wrote that Under the Skin deals with issues of race and immigration, interpreting Johansson's character as a "kind of immigrant" and writing that the film's title "seems like part of an anti-racial slogan, a reminder that despite our racial or ethnic differences we share some basic components."

Several critics identified feminist and gender themes. The Economist wrote that "there is some aggressive sexuality in the film: women seem very vulnerable but then men’s desires are punished." Robson wrote that Johansson's character is "both a watcher and predator of men. In the society she enters, and to which she brings nothing besides a body, is a sex object, in dress and demeanour a kind of sex toy; she might have come to Earth to prove a point about male expectations of women ... if Under the Skin communicates any gender-politics message, it does so through the disparity in excitement between the male characters' reaction to and that of the camera." The Atlantic, discussing the scene in which Johansson's character undresses before a mirror, wrote: "You would think the first nude scene by a Hollywood star whose body has been the subject of such intense scrutiny would be big news. But the way the film frames it—with Johansson having removed almost all of her personality from the character—it doesn’t play as even remotely sexual, and the scene, remarkably, barely attracted any hype." Nonetheless, Glazer said he wanted to make a film "more about a human experience than a gender experience."

References

  1. "UNDER THE SKIN (15)". British Board of Film Classification. 3 January 2014. Retrieved 11 April 2014.
  2. Wiseman, Andreas (24 March 2014). "Under The Skin: at any cost | Features | Screen". Screen Daily. Retrieved 14 April 2014.
  3. "Under the Skin (2014) - International Box Office Results". Box Office Mojo. Retrieved 9 December 2014.
  4. (2015) Filmed here - 2012, Under The Skin, Jonathan Glazer Film Edinburgh, Retrieved 20 February 2015
  5. Leigh, Danna (6 March 2014). "Under the Skin: why did this chilling masterpiece take a decade?". The Guardian. Retrieved 29 April 2014.
  6. Aftab, Kaleem (17 March 2015). "Gemma Arterton on black comedy The Voices and why she's turned her back on Hollywood". The Independent. Retrieved 1 April 2015.
  7. Jones, Emma (16 March 2014). "Scarlett Johansson on playing 'unscripted' scavenging alien". BBC News. BBC. Retrieved 17 March 2014.
  8. ^ "Under The Skin: Casting". Film 4. Retrieved 28 June 2014.
  9. ^ Levi, Mica (15 March 2014). "How Mica Levi got Under The Skin of her first film soundtrack". The Guardian. Retrieved 1 March 2015.
  10. ^ Khomami, Nadia (27 December 2014). "Making music for Scarlett: how an indie composer hit the big time". The Guardian. Retrieved 1 March 2015.
  11. "Best Films of 2014". Film Ireland. 23 December 2014. Retrieved 23 December 2014.
  12. Fitzmaurice, Larry (31 March 2014). "Jonathan Glazer and Mica Levi". Pitchfork Media. Retrieved 7 March 2015.
  13. Punter, Jessie (23 July 2013). "Toronto Intl. Film Festival Unveils First Batch of Films". Variety. Reed Business Information. Retrieved 16 August 2013.
  14. "Under the Skin". Toronto International Film Festival. Retrieved 16 August 2013.
  15. "Scarlett Johansson's 'Under the Skin' announces UK release date – Movies News". Digital Spy. Retrieved 14 April 2014.
  16. ""Under the Skin" Scarlett Johansson Alien Movie Release Date". Complex. 7 January 2014. Retrieved 14 April 2014.
  17. Gant, Charles (19 March 2014). "Need for Speed in pole position at UK box office but Under the Skin infectious | Film". The Guardian. Retrieved 14 April 2014.
  18. "Weekend Box Office Results for April 4–6, 2014". Box Office Mojo. Retrieved 14 April 2014.
  19. "Under the Skin (2014)". Box Office Mojo. Retrieved 29 December 2014.
  20. "The 30 Highest Grossing Indies of 2014 (A Running List)". Indiewire. Retrieved 29 December 2014.
  21. ^ Hoad, Phil. "Avengers assemble a potential record-breaker as the Age of Ultron hits". the Guardian. Retrieved 6 May 2015.
  22. "Under the Skin (2013)". Rotten Tomatoes. Retrieved 18 December 2014.
  23. "Under the Skin". Metacritic. Retrieved 20 April 2014.
  24. Dietz, Jason (6 December 2014). "Film Critic Top 10 Lists - Best Movies of 2014". Metacritic. Retrieved 8 January 2015.
  25. Xan Brooks (9 February 2013). "Under the Skin – Venice 2013: first look review". The Guardian. London. Retrieved 4 September 2013.
  26. "Under the Skin review – 'Very erotic, very scary'". The Guardian. London. 13 March 2014. Retrieved 15 March 2014.
  27. "Under the Skin". Total Film. Retrieved 15 March 2014.
  28. "Under the Skin". Time Out. 12 March 2014. Retrieved 15 March 2014.
  29. "Under the Skin". The Times. 14 March 2014. Retrieved 15 March 2014.
  30. "Under the Skin, Venice Film Festival, review". The Daily Telegraph. London. 9 April 2013. Retrieved 4 September 2013.
  31. Zoller Seitz, Matt (23 April 2014). "Under the Skin". rogerebert.com. Retrieved 7 January 2015.
  32. Under the Skin Review. RichardRoeper.com. Retrieved on 2014-05-22.
  33. ‘Under the Skin’: Brilliant mood piece about a fascinating femme fatale - Chicago Sun-Times. Suntimes.com. Retrieved on 2014-05-22.
  34. Under the Skin. Christy Lemire. Retrieved on 2014-05-22.
  35. Estrada, Stephanie (5 April 2014). "Jon's Movie Review: 'Under The Skin' Penetrates Deeper Than Just The Skin". The Young Folks. Retrieved 21 August 2014.
  36. "Under The Skin (2014)". The Hollywood Reporter. Retrieved 15 March 2014.
  37. Kaleem Aftab (29 July 2013). "Review: Under the Skin – Even Scarlett Johansson can't save Jonathan Glazer's laughably bad alien hitchhiker movie". The Independent. London. Retrieved 4 September 2013.
  38. "Under The Skin — review and trailer". The Daily Express. 12 March 2014. Retrieved 15 March 2014.
  39. Jason Dietz, "2014 Film Critic Top Ten Lists", Metacritic, December 6, 2014.
  40. Bradshaw, Peter (5 January 2015). "Peter Bradshaw's top 50 films of the demi-decade". The Guardian. Retrieved 29 April 2015.
  41. Dudek, Duane (15 May 2014). "'Under the Skin,' with Scarlett Johansson, confounding, captivating". Milwaukee Journal Sentinel. Retrieved 29 July 2015. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  42. ^ Robson, Leo. "Scarlett Johansson in Under the Skin: 'prick her and she doesn't bleed'". the Guardian. Retrieved 29 July 2015.
  43. ^ "Under his skin". The Economist. ISSN 0013-0613. Retrieved 29 July 2015.
  44. "What in the World Is Scarlett Johansson Up To?". Retrieved 31 July 2015.

External links

London Film Critics' Circle British or Irish Film of the Year
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