| Revision as of 07:20, 25 December 2012 editHijiri88 (talk | contribs)Autopatrolled, Extended confirmed users37,391 editsm He has written books called "Modern American Cinema" and "Modern World Cinema", so I think it's inappropriate to claim he specializes in Japanese film.← Previous edit | Revision as of 07:51, 25 December 2012 edit undoJoshuSasori (talk | contribs)7,580 edits This does not make sense any more; what does the next sentence even mean now? Please STOP hounding me.Next edit → | ||
| Line 1: | Line 1: | ||
| {{nihongo|'''Tadao Sato'''|佐藤 忠男|Satō Tadao|born October 6, 1930 in ]}} is a Japanese ] and ]. Sato has published more than a hundred books on film, and is one of |
{{nihongo|'''Tadao Sato'''|佐藤 忠男|Satō Tadao|born October 6, 1930 in ]}} is a Japanese ] and ]. Sato has published more than a hundred books on film, and is one of the foremost scholars and historians addressing Japanese film, although little of his work has been translated for publication abroad.<ref>Sato, Tadao. ''Currents In Japanese Cinema'', Tokyo: Kodansha. 1982. ISBN 0-87011-815-3.</ref> He has also written books on Chinese and Korean films. | ||
| The international awareness of Sato's scholarship can attributed to a collection of selected essays, ''Currents In Japanese Cinema'', published internationally in 1982. His ''Kenji Mizoguchi and the Art of Japanese Cinema'' was published in Japanese in 1982 and translated in 2008.<ref>Sato, Tadao, ''Kenji Mizoguchi and the Art of Japanese cinema'', Oxford ; New York, NY : Berg, 2008. ISBN 1-84788-230-7.</ref> Sato has also frequently appeared as a primary source in the writing of other Japanese film historians, notably ]<ref>Richie, Donald. ''A Hundred Years Of Japanese Cinema'', pp. 27, 29, 72, 80-81, 125, Tokyo: Kodansha. 2001. ISBN 4-7700-2995-0.</ref> and ].<ref>Mellen, Joan. The Waves At Genji's Door, pp. 304, New York: Pantheon. 1975. ISBN 0-394-49799-6.</ref> | The international awareness of Sato's scholarship can attributed to a collection of selected essays, ''Currents In Japanese Cinema'', published internationally in 1982. His ''Kenji Mizoguchi and the Art of Japanese Cinema'' was published in Japanese in 1982 and translated in 2008.<ref>Sato, Tadao, ''Kenji Mizoguchi and the Art of Japanese cinema'', Oxford ; New York, NY : Berg, 2008. ISBN 1-84788-230-7.</ref> Sato has also frequently appeared as a primary source in the writing of other Japanese film historians, notably ]<ref>Richie, Donald. ''A Hundred Years Of Japanese Cinema'', pp. 27, 29, 72, 80-81, 125, Tokyo: Kodansha. 2001. ISBN 4-7700-2995-0.</ref> and ].<ref>Mellen, Joan. The Waves At Genji's Door, pp. 304, New York: Pantheon. 1975. ISBN 0-394-49799-6.</ref> | ||
Revision as of 07:51, 25 December 2012
Tadao Sato (佐藤 忠男, Satō Tadao, born October 6, 1930 in Niigata, Niigata) is a Japanese film critic and film theorist. Sato has published more than a hundred books on film, and is one of the foremost scholars and historians addressing Japanese film, although little of his work has been translated for publication abroad. He has also written books on Chinese and Korean films.
The international awareness of Sato's scholarship can attributed to a collection of selected essays, Currents In Japanese Cinema, published internationally in 1982. His Kenji Mizoguchi and the Art of Japanese Cinema was published in Japanese in 1982 and translated in 2008. Sato has also frequently appeared as a primary source in the writing of other Japanese film historians, notably Donald Richie and Joan Mellen.
References
- Sato, Tadao. Currents In Japanese Cinema, Tokyo: Kodansha. 1982. ISBN 0-87011-815-3.
- Sato, Tadao, Kenji Mizoguchi and the Art of Japanese cinema, Oxford ; New York, NY : Berg, 2008. ISBN 1-84788-230-7.
- Richie, Donald. A Hundred Years Of Japanese Cinema, pp. 27, 29, 72, 80-81, 125, Tokyo: Kodansha. 2001. ISBN 4-7700-2995-0.
- Mellen, Joan. The Waves At Genji's Door, pp. 304, New York: Pantheon. 1975. ISBN 0-394-49799-6.